Zir Pachet, Kety Fusco, Bob Sinclar, Odezenne … The playlist of the « Liberation » music notebook – Liberation
The revelation made to the world of genius of Gojira During the opening ceremony of the Olympic Games, will it allow a scene considered to be « extreme », in full swing, to make its hole a little more? It is the evil that we wish to the Parisians of Zir Pachet. Their first album U of fas, All guitars outside, renew the Rock Noise (and the Hardcore post if we believe the competent authorities) in a beautifully orchestrated chaos where we even distinguish some notes of theremine.
Deafening, often dissonant, sometimes experimental, U of fas is a concept album with complex structures, where chaos is also found in a criticism until the absurd of our lives overwhelmed by digital and its aberrations, since six of its eight sung songs are inspired by the countless spam received by the singer-guitarist Thibault Placerade during the design of the disc. What think about the absurdity of some of our technological uses. Punk quartet with a strong experimental inclinations, which is heard in instrumental beaches, sounding like calm before a Homeric storm, Zir Pachet reaches its inventiveness in delivering eleven ambitious titles, impeccably produced and especially never monolithic, somewhere between fifty raw force shades and chaos is not a long calm river.
He may have declared to hate techno, chief stooge lends his voice to this beautiful electronic digression Deep-Ambient, a work of an Italian artist, specialist in the electric harp. It’s not just IT in life.
By dint of seeing him do the clown on Insta, we tend to forget the ability of the tricolor producer to ignite the dancefloor. Example with this minimum and classy electro-house track. But yes.
Kind of italo-disco tagged over-boosted with hyper-pop, product Play Paul, figure of the French Touch. Euphoric and sparkling like a glass of prosco tasted while looking at a sunset on Ischia.
Casually, the Bordeaux trio is built a sacred discography on the fringes of rap, indie, song in a frankly punk spirit with often scathing humor. As with this extract from the next album.
A mixture of malice and melancholy, the first extract from the third album of Kcidy confirms his talent for an inventive and discreetly psychedelic pop. Fewer keyboards, no more guitar, it succeeds.
