Tom Cruise, Robert de Niro, Mission Impossible and Masterclass not possible – Liberation
Critics, portraits, interviews … Follow day after day, all the news of the Cannes Film Festival with special « liberation » envoys.
After Seoul, Tokyo and London, Tom Cruise was now asceets in Cannes for the French preview of the eighth and last episode of Mission: Impossible, designed The Final Reckoning. The star had already come here to Top Gun: MaverickThierry Frémaux concocting him in 2022 a royal welcome with palm of honor but above all passing over the palace of the Festivals of the Patrol of France full gas. Cruise had to consider that it had brought him luck since this late suite of his youth hit pulverized the box office with more than $ 1.4 billion in revenue. The departure pot of Agent Ethan Hunt after thirty years of service amounts to $ 400 million and it is a question of making it profitable.
Well determined to walk in the sense of the time despite its 62 rods (masterfully managed at the hair level: we are on very high quality shampoo with rare ingredient and other texture agents), and a slight flexion of fervor and box office for the previous episode, Cruise notably granted an interview of at least 20 minutes (a record) Festival, Reece Feldman (alias @GuywithamovieCamera) before going to type fat with around thirty content creators then troller as a surprise guest, Debussy room, the masterclass of its director Christopher McQuarrie who had perhaps expected a moment of attention from the public for himself. Missed.
Warning: This second day logbook will be self -destroying in five minutes, time to read this little reminder of the facts on the guy.
Put your soul on your hand and walk from Sepideh Farsi. The Iranian director documents the horror of the war in Gaza through the gaze of the photographer Fatma Hassouna, killed by the Israeli army before the film was broadcast. The screening of the film at ACID will take place this Thursday, May 15. « Put your soul on your hand and walk » moves heaven and terror
Enzo from Robin Campillo. All in finesse and ambiguities, the posthumous feature of Laurent Cantet, directed by his friend Robin Campillo, follows the emancipation of a teenager of good family who dreams of being a worker: « Enzo », defector of grace
Rietland of Sven Bress. In the thriller of this Dutch director, a worried and disturbing protagonist explores the swamps after the murder of a young girl. « Breathtacks, vibrations, planes, washing machine, Larsens », It is not the description of our psychic state from the second day but the soundtrack in charge of the film. « Rietland », everything is not reed
Sound of Falling by Mascha Schilinski. From the beginning of the 20th century to the present day, the German director imagines the lamentable lives of four girls living on a farm. The least we can say is that it is not a plea for the return to rural life or does not know what bucolic reverie. Everyone really looks like it. « Sound of Falling », hay hay
From Niro and JR in the same boat. Robert de Niro was supposed to give a pure masterclass in the aftermath of the tribute which was paid to him on Tuesday during the opening ceremony, receiving a palm of honor from Leonardo DiCaprio. Finally, no interviewer but the Street-Artist in Chapeau, JR, who quoted with the star around their joint project with vague contours. A duo connected to the whole of the EGO in front of an exasperated audience. Cannes Masterclass of Robert de Niro with Jr: we have the raging balls
Iranian controversy. At the beginning of May, after adding to the official competition of Woman and Child From Saeed Roustayi, independent Iranian filmmakers have signed an open letter calling for the Cannes Festival to reconsider this selection, the filmmaker, according to them compromised with the regime by accepting the rules of censorship, in particular by bringing the hijab to his actresses. Printing of betrayal, compromise, fighting between « good » and « bad » dissidents … Difficult to see very clear in a controversy which reveals the skein of the challenges of legitimacy and censorship in a country where power is very disseminated. Iranian filmmakers tear around the film by Saeed Roustayi in competition.
Anamaria vartolomei, revealed in Event D’Audrey Diwan, essential and accessible, ingenuous and impenetrable, capable, playful and very comfortable, mid-Romy Schneider, Mi-Sharon Stone, both Sylvidre and Fifi Brindacier. Anamaria vartolomei, with battery and face
Lucky Love, singer, performing, model, ex-who came to a thousand men, caused a sensation at the opening of the Paralympic Games. He looked at our film buff: « In » Titanic « , from the love scene I cry without stopping »
The game is simple: we give you an extract from a cinema criticism published in Release At the time, it’s up to you to find what film it is!
« This film is very similar to a poetic art of Lynch where its relationship to cinema, its way of registering on the fringes of Hollywood, of considering the vision of a film as an experience of the mystery which could not be elucidated, its conception of glamor and its reverse of pure chaos, its aesthetic radicalism is expressed in a beautiful language. »
The survivors of the post-Assignment : Impossible – The Final Reckoning (Tom Cruise has promised the Libé Cannes Crew to share a kro can, at least) will not miss the projections of the projections Sirāt of the Spaniard Oliver Laxe (official competition), film of rave and wandering in the Moroccan desert, nor that of the swallowedfirst long, full of jack-of-all-trades (theater, video) Louise Hémon unrolled in the Hautes-Alpes in 1899 (fifteen of filmmakers).
Later, hopes are fed on to amaze in front of the File 137 by Dominik Moll (Complete), on police violence during demonstrations of yellow vests, and The mysterious look of the flamingo pink (this title!) From the Chilean Diego Céspedesunrolled in the early 1980s in the Chilean desert in a queer family « Flamboyant and loving ».
