they choose the noise the audience hears

In the context of a raging every year for Eurovision For passions, J. Pečeliūnas, the creator of digital content, is open – although the Swiss city Basel was a true capital of the Eurovision festival, the competition itself disappointed.

« The competition seemed more interesting to me last year, this year it was more boring. Maybe this year it was less intriguing, though it was not completely clear what would win, but I think the winner himself is not very different from last year, » said J. Pečeliūnas on Good evening, Lithuania.

According to him, when listening to the victory at Eurovision, the Austrian song was the impression that it had already been heard somewhere.

« You watch the finale and think is the finale really here, is it still a semi -final? » – the guy who was visiting Basel smiled.

Photo by Scanpix

According to him, viewers cannot feel the atmospheric « Eurovision » home in a TV screens – all the streets are bustling the spirit of the competition. J. Pečeliūnas added that viewers do not only see it.

« There are many political expressions that are not visible from the arena itself. For example, Palestinian flags – they cut them out, if they are broadcast, they do not show them, » said J. Pečeliūnas, paying attention to the protests against Israeli participation in the competition.

He smiled – sometimes viewers don’t hear the real sound of the arena. According to J. Pečeliūnas, broadcast directors try to make everyone only heard what they need.

« Maybe you can’t see the audience’s reactions, because the applause is just put on, » smiled the guest of Good evening, Lithuania.

According to him, when Israel appeared through a jury rehearsal, some viewers in the arena even turned to the stage, the Palestinian flags came up, and a few fierce viewers were removed from the arena.

« As I understood, during the finals there was an attempt to throw red paint on the stage. Someone was sitting and bulling to me. The feeling is very ambiguous – Israel is either very supportive, or Baubia, » said J. Pečeliūnas.

When asked about « catharsis », the guy received a lot of warm words from the « Eurovision » fans of the talk – even those who had come to the national selection final in Lithuania.

Full LNK Report – In Video:

J. Pečeliūnas interacted with the semi -final barrier in Belgium and Australia and was surprised that the musicians were easy to access – everyone was willing to communicate.

« It may have been harder to approach the Swedes as the favorites. They received a lot of excess attention, but it wasn’t hard anyway, » said J. Pečeliūnas.

The Swedes Kaj took fourth place as the pronounced Eurovision favorites. They received 195 points from the audience and 126 from the commissions.

The winner of the Austrian victory reached the jury thanks to the jury. The audience awarded him 178 points and the commission as much as 258. In the audience’s vote, the favorite was fourth and did not receive 12 points or people who voted in one country.

According to J. Pečeliūnas, questions about the Eurovision voting system arise every year.

« Like every year, now – when someone wins, there is no that everyone likes. And from the arena, it seemed to me that the Finnish, » J. Pečeliūnas, who remembered the passionate song of the Finnish representative, smiled.