Rose center player. The wonderful paradox of the artist Ginta von Keel’s exhibition

Graphic artist Ginta von Kele’s solo exhibition The wonderful paradox There is a Mežaparks Great Stage Exhibition Hall. This backview with northern thinned light is very suitable for epic formats. So far, we know the authors as Gints Ozoliņš. He has obtained a Master’s degree from the Latvian Academy of Arts for a serigraphy cycle Death (2005) – « A cry of sadness ». As if pieces were split and collapsed by a personal tower or unicorn horn as one might think after Tennessee Williams Glass Performances at the New Riga Theater. At that time, the fragments of the Ginta Ozolins, the theoretical work of Ginta Ozolins, were also attracted to his literary talents, and from time to time students who choose the schedule and the book.

Sweet

Gints Ozoliņš worked at the Ministry of Culture, in the advertising film industry, met filmmaker Ilona Brewer, was her assistant, executive producer, property and even an actor. Wrote essays about Berlin and art reviews. 2023 in the year of the chamber orchestra Sinfonietta Riga He turned into a public relations specialist as director of the orchestra and now runs the office in Spikeri Quarter, taking care of the branched process. Gints Ozolins could meet at concerts and Nibelung ring In the shows, and it seemed that the world of Estampa had left completely. After a prolonged absence of the « missing son », the unexpected return is a special joy. It turns out that the gloomy melancholy of the diploma work is a mocked game man, or Homo Ludens. His pseudonym’s choice was influenced by Tonsillitis in Hamburg. « I have break out of my throat, » says the artist.

In 2021, Gints Ozoliņš, at the Kisezers Institute at the Kisezers Institute, created a study of Estampa, naming it in the name of Hawaiian rain, fertility and creativity in the name of God Lono. His latest screen prints on canvas and paper were created here. The technique « As Jupiter exceeds the planetary narrowness of the classic graphics, but retains print graphics, without starting the fusion processes of the star, » the author describes his choice. More complex works are up to eighty stencils. Madness! Nice that the artist has a sponsor – Sinfonietta Riga Director who is the author himself.

For spectators in Mežaparks, Gints von Kele offers playful living color compositions, ravens, whose elements are brought together and interacting for private Odyssey. Everything starts with work Waiting for dinner. Here we see the Trinity of the Circus Artists: a woman gymnastics trico with queen’s headgear and red high -heeled shoes (legs in the first position), a man in « Kepon », who, throws up to swimwear, tries to attract the public with a wide gesture to his inner traction. The marinist with both hands pressed himself closely with a sore. A blue dog and white chicken play in this family portrait. The family has left the family, and the framed portrait on the wall is evidenced by the absent deceased.

Next is A moment of enjoyment of Artjoma. In it we see a shining, glorified guy with a crested hairstyle like Elvis Presley. Wide his mouth, he is about to devour the cake and learn the sweetness of reality. Or poison? Then appears smoothed Shepherdin which the musical red duo extends the bodies following the Egyptian canon: the legs on the side, the shoulders in the face. The silhouettes of the blue and green cow form a hilly landscape. The artist transforms the extensive reality into a two -dimensional plane and is achieved by the opposition of the size or reduction of objects. The author does not go to the spatial depth. « To miss the cable, » explains Gints von Kele. As the glance slides on the surface, objects can conceptually form one row, as we see in the athletic Atlanta, which is trying to keep the cake already familiar with. The cake has now entered the Giza Pyramid weight category. What is the weight of foamed matter?

Sonata

Behind the little one Cake Companies expanded 203 x 211 centimeters Sonata for Klavesin and Peac (Dedication to Joseph Haydn and Wolfgang Amadeus Mozart). What exactly do the wedding Vienna classics play so sincere, so returning that the peacock, with the tail of the tail, has been trapped in the horn? PA-PA-PA-POOK or PA-PAVAN, What solemn dance where you can squeeze your existence as a miracle in feathers?

« I do not cling to things in an orthodox form, allowing natural ideas and feelings of evolutionary forces, « describes Gints von Kele. Photo – Oscar Upenieks

Anita Vanaga. Gint, the sound gear is wasted in glorious visual language for explanation.

Gints von Kele. Mozart dealt with a lot of jokes, including Haydn, this era in general. These ideas, the farce is so sweet that you can’t leave it to you. I’ve found a playful type of existence. There was nothing to invent. At the end of the elementary school, I received a characteristics saying: « Often hypertrophied joy of life finds inappropriate forms of public behavior. » I do not cling to things in an orthodox form, allowing natural ideas and feelings of evolutionary forces. This is sad if all life has to be devoted to one person, say Richard Wagner. It is a terrible disease – falling into Wagner, people are not open for a long time. Often my topics are not constructed, there is a motive impulse that is fixed and then develops further. Other images join. If the topic addresses, I make a full size design as in figurative painting. It is practical because I make stencils after the meta. I have been working on a graphic structure for a long time. The theme also tends to change. Suddenly, see empty corners, start thinking, pour wine in a glass, look, you can put a dog or a star, or a pile of debris that doesn’t matter. Sometimes this element closes with existing ones, suddenly relationships with a deeper meaning. In general, I haven’t really participated in it, I am like a media who has responded and gave it further.

During the creation of Vienna’s work, I clearly heard the third sonata of Ludwig van Beethoven. Beethoven’s sense of growth, and his presence in the canvas is invisible, but I am clearly known. Haydn and Mozart’s music led to the birth of a third genius. If we look at it, both performances are justified. When working in public relations, I dig all the possible images of Haydn and Mozart. This is also created as a double -portrait of the post -mortem.

AV as it was perceived Sinfonietta Riga Musicians?

G. f. K. I didn’t want to mix two things. If the director calls, everyone will seem to be using the position of the service. Musicians are sensitive and fragile, hearing their instrument for life. These are long individual classes with their instrument, they are accompanied by sound sheds. The musician thinks, speaks, feels sound language. The artists can be similar, they see the entire color or line relationships.

AV Did you distance yourself from your images?

G. f. K. I have a very sentimental relationship with my characters. The moment I work with them, it’s close to the love story. It’s such a cohabitation. When the work is complete, there is a distance. Often you don’t want to look at them anymore. Have a tin!

Gaze

Work Four ladies at sunrise with a particularly large cucumber Demonstrates exactly what is promised in the name – four ladies, sunrise and sizable cucumbers. In practical life, the author really bakes cakes and marinates crisp cucumbers, but strainers are not about gastronomy. The whole exhibition must be learned. The solution is close. The wonderful paradox closes the installation Dinner waiting close -up. At the beginning of the exhibition, the Trinity has been « overwhelmed ». The center player is highlighted by a sailor with Sam or the game. The strip of acronyms in the foreground is complemented by artificial white roses. The whole set forms a flowering altar. It is accepted – always blooming.

AV Is it a hidden self -portrait?

G. f. K. You are the first to ask.

AV A very common question – where is the author hiding?

G. f. K. However, I would like to say, a vuarist, but that’s not the truth, because in my relationship with people and in life, I like to climb a gold pedestal with flowers in my hands and sing. It would definitely be about me.

***

The joy of the Gint von Kele genres, which is approaching the farce, is eventually tackled. The life -flowing life, going through Egypt, Greece, Piebalga, dwelling in Vienna and somewhere near the Baltic Sea, has only kept the essence. The author has succeeded in catching a load -bearing wave in his scenery and holding on to the water. Don’t drown. His « last dinner » emits harmony, echoing the sound of the horn of perfection and the light joy of life.

Gints von Kele
Exhibition The wonderful paradox

Mežaparks Great Stage Exhibition Hall up to 23.V Entrance Free