Rapper Damso retired at 33 with a new album – Liberation

So, right? This is really the last album of Damso ? A boring question at first glance as the technique of false departure was mobilized by artists making their return, all smiles, two or three years later. The problem with this musician is that he would be able to join the word to the acts. And that if it is really a final provision of public self-fiction, it then becomes impossible to elude this announcement and to consider this starting pot other than by the prism imposed by the artist himself.

Bēyāh, Fifth long format of the Belgian rapper, is therefore automatically charged with a history and a posture, a lightning rod with criticisms which are not worth much since Damso seems to be fucked by everything, of being jaded to the point of offering the luxury of the self-dissolution at 33 years old, and that he never ceases to repeat it over these fifteen songs. He portrays, by various musical processes, skillfully, a stature of untouchable and misunderstood, of the type whose success was such in the last ten years that nothing excites him in the idea of ​​an album, a format which nevertheless makes, for a time surely, the office of justice of the peace.

But the world has understood Damso, and that is the reason why Beaucou