Marco Amenta « Anna »: Beating land – Liberation

Anna is a false neorural. In fact, returning from Milan after the stranded attempt at a life as a couple with a heavy secret, she chose to settle on the rocky lands of Sardinia where she grew up, taking up the sheepfold, the cahute of her late father, her landing of land. Back to basics, such as the Pagnol Manon that we necessarily think of. Anna took over the family agricultural inheritance on the hill over the sea, brown shepherdess and intocile taking care of her goats of which she sells in the village the products, cheese crates and fresh ricotta. Solitaire, wild, wounded like her herd against human incursions on his field, a beautiful day seeing red and white site ribbons swear in the bushes of the Garrigue, early followed by the bulldozers of a company of real estate developers cynically baptized « Le Mirage », Anna sees her world tilting: a hotel complex must be erected where she is.

The film,, Taken out of a true story, will follow his enduring biting struggle, supported by a bearded and love lawyer, to provide proof that the land belongs to his father even if there is no other ownership contract than the oral agreement before witnesses to seal the sale, as wanted the use of the peasant world. Marco amenta, after the fight against Cosa Nostra in Sicily (The Sicilian, 2009), chooses the shore of Sardinia as a landscape of a new fight against a related mafia, the real estate. He signs a West