In Belgrade, Painted Mural dedicated to Valter, a famous hero in defense of Sarajevo during World War II – Culture

Mural is one of the results of the Initiative in the 199022 minutes. We realized the exhibition « Labyrinth of the 1990s » in the historical Museum of Bosnia and Herzegovina, and the idea of ​​illuminating the complex decade in the 1990s in the former Yugoslavia.

Mural Walter was painted by the artist Jana Danilović, which in his work deals with Mural, Street Art and Graphics.

Its works can be seen in public areas of country cities in the region (Belgrade, Ljubljana, Rijeka, Mostar, Sisak, Pula ..), but also in Belgium, France, Romania.

Through its murale II texts, he investigates the relations of paintings, social events and public space, as well as their mutual influence.

The thematic focus, both study and streetwork in recent years, is on feminist and environmental issues and fighting. She received his doctorate at the Faculty of Applied Arts in Belgrade, exploring the topic of image functions in public space.

As a reflection of the symbolism of specific bonds in the past, but in the future, in Grbavička Street, a Mural, Founder, Founder and Frontmen, the Ekatarina, which painted the College of Color, according to the conceptual assolution of the Artist Riyadh Hadzic.

One segment of the exhibition exhibition of the Museum in the 1990s deals with those who occupied an anti-war attitude at the beginning of the 1990s – it is the impossible room in which the real citizenship and human heroes are occupied, the then symbols of resistance.

Milan Mladenovic was certainly one of them, starting in the medios, through the occasion of the « Zetra » concert in the summer of 1991, until the famous anti-war concert of the group « Rimtutituki » in the Republic Square in Belgrade called « Do not count on us ».

Milan showed his strong protest and rejection of performances in Banja Luka in 1993. year, when the oldest and most famous Banja Luka Mosque Ferhadi from 1579 was demolished. Years.

Milan Mladenović was born in Zagreb, and as a childhood, part of his childhood, to take a guitar, to take a music career through the group « lemon wood », « Katarina drug » and at the end « Ekatarina Velika ».

The exhibition, which has seen more than 7,000 visitors in Sarajevo, represented an extended version of the exhibition pilot of the same title, which was appointed in Belgrade during the summer.

The maze of three-year research, work and cooperation between individuals, experts, activists and partner organizations from the former Yugoslavia gathered around the initiative the Museum of the Nineties.

The aim of this exhibition is a new and different consideration of a decade that changed the flows of millions of people in this area (but also globally) and which has left an indelible, long-lasting trail.

The Museum of the 1990s is the initiative of the Cultural Center, the city from Belgrade was launched with the idea of ​​collecting and storing from the forgetting of sources and testimonies about the last decade of the 20th century. Century in the area of ​​the former Yugoslav state.

The exhibition « Maze of the 1990s » author signed Dejan Zadović, Dubravka Stojanović and Igor Štiks, and so far he has been held in Belgrade and Sarajevo.

The exhibition was supported by the National Endowment for Democracy and the regional project support to trust in the Western Balkans, funded by the European Union (EU) and implemented the United Nations for Development (UNDP).

The content of this exhibition is the exclusive responsibility of the author and does not necessarily reflect the views of the European Union or UNDP.