Catia Hultquist: Anyone can’t be Miss Dirty
No one has missed that the artist Miss Snusk has been replaced? Suddenly there is a new young woman who sings filthy to epadunk hits behind the pink mask. Nor has it avoided anyone that the contribution from the controversial Miss Snusk producer, Rasmus Gozzi, has created both anger and protests among the fans and that the new Miss has been canceled by a number of organizers in the country.
The strong reactions and support of the old Miss are in my world only refreshing. But elsewhere, the protests have been met by von Oben attitude and unashamed mockery. This is how, for example, Jonas Strandberg, digital editor at Café, writes about the fans:
« These poor dumbbells are then angry, but why? Because she who sings the songs about Dala horses does not have exactly the same voice as the former girl who sang about valley horses. »
SvD’s Anders Q Björkman thinks that the organizers’ response to the artist change is « strange » and believes that the mask -bearing singer is in fact « made to be replaced ».
The writers have it Common that they seem incomprehensible to reactions to « that someone is being exchanged ». To feel with the replaced one does not seem to lie to them either. Does it matter that both are men? When I read an interview with Ebba Busch, I think it can actually.
The Christian Democrats party leader recently told in the Express How, eight years ago, she was suddenly hit by a fear of being replaced. She was worried that her second pregnancy would be used to maneuver her out as party leader. Busch then contacted a psychologist who « comforted » her with the icy information that « many other pregnant women also feel afraid of being replaced ».
Former members of the Catapult Group Dolly Style can testify to the conditions for women in the concept pop industry. In an SVT documentary from 2019, Emma Pucek tells how the doll-styled women were allowed to follow a template in terms of « weight, appearance and personality » if they wanted to place in the band. If they had too many opinions, they risked being fired, which was summarized by Pucek: « We were at our best when we were kind dolls who did not ask for contract or money ».
In the professional life in general, but in appearance -fixed industries special, there are probably few women to not have to worry about being replaced. In the same way, many women with the risk of being replaced in private life calculate.
The story of the graying The man who suddenly replaces his partner with a younger woman feels as classic as Ulf Lundell’s « open landscape » – but also constantly up to date in the era of the dating apps and consumerism. Yes, Björn Werner admittedly expressed For a similar concern in an SvD article about « cultural women who take younger men », but otherwise I would probably tip that concerns about being replaced is more common among women.
Therefore, it was also fascinating to read Staffan Heimerson’s open letter To Aftonbladet’s editor -in -chief Lotta Folcker. Yes, you know that letter where the renowned journalist described his anger and surprise that as an 89-year-old he would have to stop writing because of the newspaper’s savings requirements. With a rock -solid self -esteem, he presented his many achievements over the years. It was quite obvious that the risk of being replaced never even proposed Heimerson during his long career. What a mental luxury!
Young people who are now coming out into the professional life knows that they need not only compete with each other but also with various AI creations. The discussion about who can be replaced is constantly going on. But constantly thinking about oneself and others as interchangeable is both exhausting and sad-a bit like being trapped in an eternity version of Trump reality « The Apprentice ». And I want to think that Miss Snusk protests also have something to do with it.
