avril 19, 2025
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Art conquers the gardens of Luga

Art conquers the gardens of Luga

Is that country art- or rather garden and landscape design? Already in its basic features, the Luxembourg Urban Garden (Luga) deals with the varieties of garden culture, the order of space, the color and structure, historical and new approaches to the design. What is art and culture in it can no longer be determined as separate as in other cases. Similar to the gray areas between art and handicrafts, attributions are then in the eye of the viewer.

2017 in Kassel: The “Living Pyramid” (living pyramid) by Agnes Dees is shown as part of Documenta 14. For the Luga, the artwork in partnership with the Mudam in the Parc Drahi eechelen is to be created. Photo: Getty Images

For the general coordinator Ann Muller, an answer to the question of the proportion of the culture in the 22 million euro budget (+ 1.4 million for the outside station in the Nordstad) is not that easy. Or the question of how many artists receive how much money for their achievements at the garden show.

Muller emphasizes: « We are not a cultural exhibition, but an urban garden exhibition. But it was important for us to involve an artistic look from the start. Artists are people who have visions who are complexly approaching things and question them. In addition to focus on the garden, the environment, the circulatory economy, the sustainability, plants and global warming, it will of course be given projects with the subjects, which of course the Luga artistically deal with.  » This is the result of the large portfolio of raising new thoughts for the Luga audience and creating encounters.

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Sustainability to the content decisions

There were of course rejections. « We were submitted a nice video project, but the energy consumption was too high for what it would have cost. And the idea of ​​sustainability not only runs through the show, but also in such decisions. That is why it was then rejected, » said Muller, who, as a former head of the cultural department of the Berlin embassy of the Grand Duchy, has consciously remained out of the selection processes. « And in all calls we made sure that the chances of opportunities were the same for everyone and that broad participation was possible. »

There does not seem to have existed excitement as when awarding the project of ESCH2022. At 80 to 90 percent, Ann Muller estimates the proportion of the selected cultural workers who have their roots in Luxembourg or in the large region.

The former head of the embassy of the embassy in Berlin, Ann Muller, is also important as a Luga general coordinator, a cultural view of Luga’s topics. Photo: Anouk Antony

The area and programming area had already received a fixed framework budget in the Luga power study that was only somewhat adjusted. But even there is a break in how strong the content is, not so easy. « A lot arises with partners. In the area of ​​culture, for example, the Lëtzebuerg City Bibliothèque, the Luxembourg Center for Architecture, Neimënster or the Mudam. For most of these events and projects in general with partners, we bear half of the costs, » says Ann Muller.

This creates a huge program with fewer Luga agents and the end of the shoulder with very different organizations and institutions. « They already have a great expertise and knew how they can get involved in the Luga concept. »

The « Culture Hub » behind the Villa Vauban is to become one of the cultural hotspots of Luga. Photo: Luga

1,500 overall events

In addition, according to the general coordinator Luga’s own project calls with proper tender and decision before an internationally occupied body. « We then finance the projects selected by the jury up to 100 percent. » Over 1,500 events from May 7 to October 18 will be on the agenda. According to Muller, ten to 15 percent of this will be disputed by artists. Hotspot In terms of cultural events, the « Culture Hub » is on the arcade behind the Villa Vauban – readings and concerts are planned there.

Phyllōm will be shown in Kirchberg. It symbolizes the « essential contributions of the leaf: oxygen production, air purification, shadow formation and the provision of a habitat for different animals, » said Luga. Photo: Luga

What is already visible? In cooperation with the Mudam arise two quite large work In public space: the rebuilding of Agnes Denes’ « The Living Pyramid » in the Park Drahi Eechelen and a new sound installation, « The Lower World » by the gymnast winner Susan Philipsz, which is particularly fitted under the upper town.

A special inheritance is the ten -meter -high steel sculpture called « Phyllōm ». In 2022, the work at the Garden Festival Floriade in Almere, Dutch in Almere, was officially presented in 2022 by the architect Schürmann and Witry. And traveled to the national German garden exhibition in Mannheim in 2023 to advertise Luga. In partnership with the Kirchberg fund, the fully recyclable work becomes part of the Luga- « Stadtbauernhof » in the Kuebierg nature reserve.

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With all the confidentiality up to the official program presentation, there are also some projects: A workshop has been working since February Jill Crovisier on « Four Seasons – Dance! » The participative dance project that is created with the support of the Trois CL dance center deals with the topic of climate and the connections between man and his environment. The first results are to be shown live in front of an audience at the end of June.

And the Ampersand Variations collective also develops the improvisation theater performance « Roots / Routes », which will take place in the Gardens of Luga in the coming months.

The Kulturzentrum Neimënster has a huge package as a participation laced. Among other things, Chantal Maquet and Isodora Romero will make contributions as a residence artist. Since the beginning of April, looking at the abbey and projects of the Duos Hélène and José Eurico Ebel, Thierry Ardouin, Justine Blau and Victor Guerin have started. At the start of the Luga, an exhibition on the work of Marianne Majerus opens. After the press conference next week, all appointments will be published. It is important to keep the schedule.

Hook for art: General coordinator Ann Muller is pleased that Patrick Boris Kremer was awarded the coordination of Art Trail. Photo: Anouk Antony

The « Art Trail » of the Luga

Patrick Boris Kremer was able to win over the tender. At Luga he will take care of the so -called species trail. In 2005, the freelance curator, translator and editor helped, among other things, for the Luxembourg appearances at the Venice Biennale and brings international and local expertise. The Luga Funkel round will have the title « Animals of the Mind » (« Animals of the Spirit ») And is completely created for the garden show.

Twelve artists will be there: the studio van Lieshout, Roland Boden, Anne-Charlotte Finel, Henrik Håkansson, the duo Cengiz Hartlap and Sara Lefebvre, Anna Hulačová, Laurent Le Deunff, Rémy Markowitsch, Mary-Audrey Ramirez, the Studio Ossidiana, SU-MEI Tse and Ulrich Vogl.

Patrick Boris Kremer curates the Art Trail. Photo: Anouk Antony

According to Kremer, it is not enough to put existing works in the gardens as decorative objects. « We wanted to react to local work that really deals with the topics of the Luga and to the place where they will be. Sculptures then meet installations, video work, performances and interventions.

Even though in this case Kremer himself had specifically caught the eye of artists, the Luga board ultimately had to agree. For such projects in the outdoor area and on the topic, there must already be a fundamental experience. And not every artist could and wanted to participate. Especially since there was definitely discussion material. « The material question was important to us as a Luga. Sustainability must also rule for the works of art, » emphasizes Kremer. Concrete? Can’t be considered, not even recycled.

Green producing has not yet arrived at every artist. « But in this case it is a real opportunity for the artists to think about it too. » Kremer organized visits to the selected artists on site, coordinated and accompanied the process. Budgetary must all make do with the same framework.

A first insight: Anne-Charlotte Finel will show her video work « Entry Chien et Loup » on the Art Trail. Photo: Courtesy The Artist & Gallery Jousse Entreprise/© Adagp

There have already been challenges. Just when releasing the location: First of all, Kremer had to obtain the okay of various partners and authorities whether one of the artistic work could be drawn up at all. Whether monument protection, forest authority or parking administration – nothing works without a say. But the accommodation was noticeable.

And in terms of content? The relationship between humans and animals should be particularly highlighted. How do you shape our view of the world, what do we humans have attributed to animals since the first cave paintings? How contradictory is our relationship to the animal today? Or as the text on the project writes: « How can today, at a time when the biological diversity threatens to disappear, explain the increasing presence of animal motifs in everyday life, if not by the fact that it stands in reverse relationship with our increasing alienation from nature? »

« We certainly do not reinvent the topic and some international looks have highlighted this in recent years. But it turns out that there is an awareness of dealing artistically – whether with humor, whether critically or radically confrontative, » says Kremer.



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