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A Sony zoom that replaces four focal lengths-Diepresse.com

A Sony zoom that replaces four focal lengths-Diepresse.com


Zoom lenses have two disadvantages: they are rarely bright and not always convincing. With the 28–70 mm/2, Sony shows that there is another way.

For a long time, Sony lags behind the lenses that it offered for its cameras. Canon and Nikon were able to refer to a wide range of decades. The newcomer Sony first had to develop lenses for its mirrorless cameras that the company has been offering since 2013.

This meant that the cameras were partially ahead of the lenses. For example, the Sony A9, which was presented at the end of 2019 and had an unmatched picture rate of 20 recordings per second. A camera made for sports photographers. Alone: ​​Sony could not offer the standard lenses for this type of photography, a 300 or 400 mm lens with a light intensity 2.8. Photographers had to use Canon lenses via an adapter. In the A7R II, in turn, some lenses could not keep up with the high resolution of the sensor (42.4 megapixels).

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Recording with 28 mm and aperture 2.Called

Sony has caught up over the years. Not only that you can now offer 78 lenses with an e-connection-from 600 mm/4 to wide-angle zoom 12–24 mm/2.8. With the G-Master series, the manufacturer also offers lenses with the highest precision, similar to the L series from Canon.

What Sony can do better overall than its competitors: it can build more compact and lighter lenses. It has been proven with the 300/2.8 that weighs only 1.5 kilograms, and now shows it again with the 28–70 mm zoom with a light intensity 2.0.

Recording with focal length 58 mm and aperture 2. Called

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Recording with focal length 58 mm and aperture 2.Called

Canon is the only other manufacturer to offer such a lens with such a large light intensity. However, the Canon version weighs 1430 grams, the Sony zoom almost a third less-918 grams. The housing of the 28–70/2 is made of plastic, only the bayonet is made of metal.

You notice the difference when you carry the lens on a camera over your shoulder for a whole day. With the Canon profiger device R1, the weight adds up to 2.5 kilograms, at Sony it remains with the counterpart, the Sony A1 II, at 1.7 kilograms.

Recording with 70 mm and aperture 2. Called

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Recording with 70 mm and aperture 2.Called

We were able to try out the Sony 28–70/2 as part of a test drive of the new Porsche 911 GTS for the « Presse » motor editorial team. The sharpness of this lens was impressive in all focal lengths. Zooms are usually counted for a specific area, mostly the sharpness power decreases with the focal length – especially when the panel is fully open. The Sony G-Master draws extremely sharp in both 28 and 70 mm. You have to search for vignetting.

The close -up limit is 38 centimeters, which is guaranteed to be interesting perspectives, especially with a very open aperture. The autofocus works quickly and precisely.

Recording with 28 mm and aperture 2. Called

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Recording with 28 mm and aperture 2.Called

In addition to the zoom- there is also a focus ring, the zoom can be fixed by sliding switch (smooth or tight). The aperture ring can be rotated continuously and without snapping (important for video filmmakers), between zoom and focus ring are two buttons that can be freely occupied via the camera settings.

Recording with 70 mm and aperture 2. Called

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Recording with 70 mm and aperture 2.Called

The two disadvantages compared to focal lengths – less sharpness and lower light intensity – does not exist in the 28–70/2. You can also talk the price of a very proud 3599 euros: it replaces four fixed focal lengths – two wide angles, a normal lens and a light tele.

Recording with 56 mm and aperture 2. Called

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Recording with 56 mm and aperture 2.Called

Recording with 59 mm and aperture 2. Called

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Recording with 59 mm and aperture 2.Called

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