20 years of movie « Gordost and Prejudice »: The director reveals – Elizabeth Bennet is a clean punk – culture

In film adaptation « Gordosti and prejudice« From 2005. year, the central love story between Elizabeth and Darcy begins at the ball. It is a lively, playful scene full of carefree dance and whispered comments on other guests.

It is also a favorite scene of the director of Joe Devil. He recently looked at his debut film again, which returns to the movies on the 20th anniversary this weekend. Anniversary. « The first ball, a common dance, I am very proud of that scene. It has some energy, liveliness, chaoticism and joy, » says Variety’s devil.

In that scene, Elizabeth (Kira Najta) first notice Mr. Makfaid (Metju Makfaid) – a « man with an imaginary view » – and then hears her appearance. That audience meets Elizabeth as a young woman’s wife, ready to retaliate Darcy when talking later.

The joy in the Baland scene depicts the spirit of the whole film.

When the Vrajt took over the « Gordostity and Prejudice », he strongly wanted the film to convey the liveliness of a youthful love and a realistic feeling of « mess ».

This is also reflected in the scenes with sisters Benet – Jane (Rozamund Pajk), Elizabeth, Mary (Talula Rajli), Kitty (Keri Maligan) and Lydia (Jena Meloun). The devil first planned to look like an actresses to each other, but quickly realized how hard it would be. Instead, during the rehearsal, they designed a common laughter – the same laughter that united them as sisters.

No matter what the first film was, Zapit says he was not an intimidated task to screen a novel, nor a pressure that carries Jane Austin. « I was young and reckless. I didn’t feel pressure because of the acet, but to make the best movie I could. »

The Screnograph of Sara Greenwood says everyone who worked on the film were at a similar professional level and full of enthusiasm. The film received several Oscar nominations – for acting Kire the best, scenography of Greenwood and Kate Spencer, costume designer Daran and music Darija Marijanelija.

There was already a successful adaptation of the novel – the 1995 BBC series. With Jennifer Il and Koli’s Firt. « They set us high standards. We went to another way, but I think we justified expectations, » says Grinwood.

This version stands out for the focus on youth – Austin was 21 years old when she wrote a novel, and the devil wanted the actors to be those years. « Elizabeth has 18 in the book and I wanted it to be visible – to look at people who are the first time they experience love. »

The film stored the action in 1797, the time the novel was written instead of 1813. when it was published. Grinwood says the film is more in Georgian style than regent era. « The BBC version is very regent, with tightened corsets and highly raised waists. »

Benet’s household is shown as lively, noisy, a lot of interviews. The devil wanted to create an atmosphere in which they all speak in the same mah. Inspiration for dialogues he drew from Robert Altman, but he says that he was not a goal to controll – but to show the reality of that home.

The house is far from great and tidy – it is full of mud and animals that walk freely, which clearly indicates the lower status of the family compared to Darcy and his friends.

House Longborn was actually a property called Grumbrids Plays. The interior was reconstructed – the dark walls were prefarted, but with the effect of age and worship, because the family did not have money to rearrange everything. « The furniture was worn, the covers worn – it was all planned, » says Grinwood.

Mr. Benet’s office, snuffled corner with books, reflects his personality. He gave him a hobby that is meaningless – hinging orchids, which was popular then, but without practical purpose.

The costumes Elizabeth consciously resisted from the others. While other sisters carry pink and pastel tones, she wears brown. Her hairstyle is short in the back – which was rebellious at that time. « She doesn’t fit into traditional women’s wealthy norms more interested in the ideas and mind than gender roles, » Vrajt says.

In the famous scene in the rain, when Darsy declares love Elizabeth, she refuses and follows a turbulent, fast discussion. « We worked as a musical trial – everything was in rhythm, » Zita explains. First they played slowly, but then the devil suggested to say replica as fast as they actually. That gave the scene energy he wanted.

One of the most beautiful scenes is the one on the cliff, where Elizabeth looks at the distance while playing music. « It was a kind of release – after tension in the house, it experiences a moment of freedom, » Vrajt says. Inspiration found in David Lin and film « Lawrence of Arabia ».

ChatsWorth House was used for the Pemberlly property, although it was difficult to get a recording license. Written by the letter to the Duchess of Devon and received approval – they could even remove red curtains from the Statue Gallery. They never returned again because the stone is seen better without them.

Cooperation was crucial – including the help of Eme Tompson in writing dialogue. Together they improvised the Charlotte scene, and Tompson sat further confidence.

Due to unpredictable time, some scenes are improvised. The scene where Mrs. Bennet chases Elizabeth across the bridge, along the goose and sunset, was created at the last minute. « Everything was spontaneous, but magical, » says Grinwood.

Today, 20 years later, the devil says he feels like it’s in a time loop. « Like the film recorded someone else, and at the same time as if everything was yesterday. »

The devil looks forward to the successes of young actors from the film. « I can’t say I’m proud, because I’m not entitled to that. But I’m very happy for them. »

The interest in the acet continues to last – Netflix is ​​doing a new series « Pride and Prejudice » – but the 2005 version. It still attracts the audience.

« It is still fresh and beautiful as well, which is a rarity. Some movies grow old quickly – this one is not, » Grinwood concludes.